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- synopsis - Jerry Mulligan is an ex-serviceman who stayed on in Paris after the war. He's now a struggling artist trying to sell his paintings on the sidewalk. He's had little luck until the rich Milo Roberts sees him. She offers to help him with his career but is clearly more interested in Jerry than his work. She rents a studio for him and plans his first exhibition. For his part, Jerry falls for a lovely young French woman he sees in a nightclub, Lise Bouvier. She however is being pursued by Jerry's friend, entertainer Henri Baurel. When Baurel gets the opportunity to tour in the US, he wants Lise to marry him so they can go together. She is in love with Jerry but feels she can't abandon Henri who saved her during the war. She has only a short time to decide
- Writers - Alan Jay Lerner
- country - USA
- runtime - 1 hour 54 m
- Release date - 1951
- rating - 7,3 of 10 stars
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This is one of my favorite movies
Strong sensitive Leonard Bernstein creates emotionally sensitive moving music.
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So this is what goes on in Elon's head. When I first saw An American in Paris, years ago, I thought it was great and I agreed with all the rave reviews., let's say I don't think it has aged well. For me, more than any other factor, it's Gershwin's music that gives the film the charm it retains. Even then, the music has to fight against Minnelli's and Kelly's desire to establish that the film is "significant" and that Jerry Mulligan is a heckuva guy. The result, looking at the film fifty-five years later, is to be caught a little off guard at how pretentious it feels. Prominent in the credits are the words "And Presenting The American In Paris Ballet." How much nicer and more trusting of the audience if they'd let us discover the ballet for ourselves. That air of "look at what we're doing; aren't we great? creeps in far too often. "S'wonderful, for instance, is in my opinion a number which reeks of being those little French tykes and Mulligan's grinning byplay with them comes across now as a calculated effort to provide a "wow" number for Kelly. That wouldn't necessarily be a bad thing except for the Kelly persona of a man who flips a switch for charm and looks like he flips the switch off as soon as the number is in the can. Julie Andrews in The Sound of Music deals with a lot of equally over-adorable little children when she sings "Do Re Mi, but there it doesn't appear quite so calculated because Andrews' charm and enjoyment seem genuine. However, when Minnelli and Kelly are willing to take a step back and trust the audience, the results can be high quality. "Love Is Here to Stay, for instance, is sung and danced quietly. It becomes a moment of genuine feeling without a hint of pretension.
I suppose nowadays most of us come to the movie looking forward mainly to the American in Paris ballet. It still can hold our attention with all that style (the look of Dufy, Toulouse- Lautrec and such) the action and the, above all, the music. I'm not one who thinks Kelly was an outstanding choreographer. I think he was a first-class dancer but not the person or the choreographer he thought he was and wanted to be. It's the spectacle of the ballet that is still worth watching. The one place where Kelly's choreography and talent as a dancer meet perfectly is in the Toulouse-Lautrec sequence. Here's Kelly in a tight apache outfit taking a pose, then strutting with his butt out, shaking his shoulders, staring at the camera. It's a great moment and I wish the rest of the dance numbers measured up to it.
For the rest of it, I think Caron is unformed but a likable gamin. Levant gets a little tiresome. I'm never quite sure whether to smile at him or call 911. His Concerto in F sequence seems to be just more of Minnelli and Kelly wanting to make sure we all know the movie is high quality stuff. George Guetary may be a light weight talent, but he's good natured and good company. His "Stairway to Paradise" number is is a highlight. And although Nina Foch plays a maneater, she's one of the best things about the movie. She was a fine and under-rated actress.
An American in Paris still has a number of things to enjoy, but I think it's at its best in our memory.
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