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Luke Lorentzen Star Fer Ochoa Mexico Luke Lorentzen Description In Mexico City's wealthiest neighborhoods, the Ochoa family runs a private ambulance, competing with other for-profit EMTs for patients in need of urgent help 
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Family law software colorado. Online family nurse practitioner programs. Photo: 1091 Media Mexico Citys health care crisis, much like Americas, primarily revolves around prohibitive costs and limited access. The issues myriad complexities are neatly embodied by a single problem plaguing the city: an ambulance shortage. The Mexico City government only operates 45 emergency ambulances to accomplish the impossible task of serving nine million people. Private ambulance companies, such as the one run by the father-and-sons team at the center of Luke Lorentzens vérité documentary Midnight Family, have sprung up in the city to fill the void. As members of a for-profit underground network, the Ochoa family frequently cuts ethical and medical corners in order to help an underserved population. When theres profit to be made, capitalism finds a way. Like any small business, the Ochoa family comes up against many daily obstacles that hinder their success. They face fierce competition from other private and public EMTs, often dangerously racing them in the streets to accident scenes. Corrupt cops constantly impede their progress by demanding bribes or halting their assistance. Since the Ochoas work in a liminal legal space, they dont necessarily have access to the proper equipment, let alone paperwork or an up-to-date vehicle. Most frustrating of all, theyre forced to shake down the victims they transport when they cant or wont pay. The Ochoa family may charge high prices for their emergency services, but the money they reap mostly goes toward upkeep and expenses. By night, they save lives. By day, theyre just another low-income Mexico City family struggling to put food on the table and pay their electric bills. Lorentzen documents the nightly excursions in stunning widescreen compositions, carefully orchestrated and featuring an urban-noir color palette dominated by the ambulances spinning blue warning light. (At times, the imagery almost recalls the night scenes in Michael Manns Thief. Despite the flattering aesthetic, Lorentzen doesnt present the Ochoa family in an exaggerated heroic light. Instead, he matter-of-factly focuses on the intersection between their mercenary and selfless impulses. Its obvious that Fer and his two sons, Juan (age 17) and Josué (age 10) feel responsible for the people in their charge and take their safety seriously. At the same time, theyre forced to make ethically questionable decisions every time theyre on the road, like pressuring people in critical condition to accept care they cant afford. Lorentzen keeps the action as thrilling as possible in the moment—he films two heavy-duty car chases and a time-sensitive journey to the hospital, both of which are as suspenseful as anything youll find in the multiplex—to replicate the high-pressure context that allows the Ochoas problematic conduct to thrive. Which mother wouldnt instinctually trust the EMTs in charge of saving her daughters life, even if their profit motive inevitably guides, and sometimes clouds, their judgment? To his credit, Lorentzen never guides the audiences moral response, allowing us to make up our minds about the Ochoas on a scene-by-scene basis. He also provides ample rationale for their actions by depicting their hand-to-mouth lifestyle alongside the on-the-job drudgery. Alt hough Midnight Family s diaristic structure contributes to a general shapelessness (the film doesnt end so much as just stop) it allows for plenty of time spent with the Ochoa family, including Juan and Josué, who bicker and joke around with each other as often as they patrol the streets for misfortune. These moments of downtime provide a warm, comic energy to Midnight Family that renders the Ochoas naturally sympathetic subjects and illustrates why Lorentzen decided to film them in the first place. Yet they also throw the scenes where, say, theyre coercing the mother of a domestic abuse victim to pay 3, 800 pesos for a hospital ride in a different light. A health care system that cant effectively cover its population and forces civilians to pick up the slack turns everyone into a victim.
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Midnight family luke lorentzen wife and son wedding. Midnight family. Filmmaker Luke Lorentzen is only a few years out of college, but his first major feature—the viscerally exciting Midnight Family — has made the Oscar documentary shortlist. Its the story of the Ochoas—father Fer and sons Juan and Josué and their associate Manuel Hernández, who operate a run-and-gun private ambulance service in Mexico City. Lorentzen moved to the Mexican capital in 2013 after graduating from Stanford University, relocating there on something of a whim. “[It was] a little bit of a spontaneous decision. I was 23 years old and didnt have a job. And I had a few ideas of films that I wanted to try and make, ” Lorentzen recalls. “The ideas I was trying to pull off just werent really working out. But one morning I woke up and, parked right in front of a house that I was living in, was the Ochoa family and their private ambulance. I guess I was curious enough to ask them if I could ride along for a night. ” Related Story 1091 Acquires Sundance Documentary 'Midnight Family' That chance encounter introduced Lorentzen to the Wild West of emergency medical treatment in Mexico City, a metropolis of 9 million that, the film notes, is serviced by fewer than 45 public ambulances. “There would be weeks at a time where I wouldnt see a single government ambulance showing up to accidents, ” the director says. “You have families like the Ochoas that see a need for more ambulances and take it into their own hands to start these for-profit ambulance companies that chase each other to accidents and compete for patients. ” There are extraordinary scenes in Midnight Family where the Ochoas, monitoring police scanners, hear of injured parties somewhere in the city and spring into action, racing other ambulances to get there first. Imagine Bullitt, but with emergency vehicles careening around the streets. Many of these medi-wagons are not exactly state of the art. “The Ochoas were able to get their hands on this ambulance that actually came from Oklahoma, ” Lorentzen comments. “Its a retired U. S. ambulance that was no longer up to code here in the U. and it got sent down to Mexico for people like them. ” The medical training for many of these ad-hoc first responders appears sketchy. The Ochoas prove eager to provide top-level care, but the system invites corner-cutting. For instance, there is a constant temptation to divert patients to private hospitals which are more likely to pay for ambulance services, instead of public hospitals that may be closer to the scene of an accident. “[I] saw this whole underworld of for-profit health care that was raising really big ethical questions, but also keeping a city from falling apart, ” Lorentzen observes. “The film is so much about these ambiguous ethical moments. And some [viewers] really want answers and find that to be sometimes unfulfilling. So its a balance of giving people enough to chew on and enough to really process whats going on without giving you the answer to things that truly dont have good answers. ” Midnight Family is now playing in theaters around the country. Lorentzen shot the film, wrote, edited and produced it (along with fellow producer Kellen Quinn) and recently won the Best Editing Prize at the IDA Documentary Awards in Los Angeles. Midnight Family also claimed the Grand Jury Prize at the prestigious Sheffield International Documentary Festival in England. Not bad for a 26-year-old filmmaker. “We premiered at Sundance in January and I have been essentially on the road for the entire year traveling to festivals all over the world. Weve played maybe 140 film festivals, ” Lorentzen notes. “Theres something so magical about taking this story that originated in Mexico to Denmark or Hong Kong or St. Petersburg and having people really respond to it and be able to connect with these people and this story. ” Midnight Family features the cinematic look and punch of a Hollywood action film, complete with handsome leading man—17-year-old Juan Ochoa, who navigates the ambulance from behind the wheel, and also serves as a moral compass. “Juan is really somebody that sticks out and has a charisma to him that audiences relate to, ” Lorentzen affirms. “I think theres something about his teenage energy that people get excited about. And so every time there was something about the work that started to feel a little ethically tough, I wanted it to be with Juan at the center. Because he was truly trying to do his best, that I knew that people would see that. ” Providing comic relief is Juans much younger brother Josué, a chubby kid with a saltiness of speech beyond his years. “Josué, the little boy, some of the things he says, youd expect to come from a 45-year-old man, ” Lorentzen laughs. “Its really vulgar coming from a nine-year-old boy. Hes really comedic. ” The director even thought at one point of building the film around Josué. He also did a cut where the father, Fer (short for Fernando) took center stage. The final structure clearly worked, resonating with audiences and now with Oscar voters. Lorentzen says hes thrilled about making the feature documentary shortlist. “Its incredible and far beyond my wildest dreams for this project, ” he tells Deadline. “Word of mouth and love for the film is carrying it along in a way thats been so special this whole year. So gratefulness, surprise, excitement, slight overwhelming. ”.
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This looks like something that'll break your heart. Midnight family poster. Midnight family 2019 trailer. Marriage and family therapy degree online. Masters in marriage and family therapy california. Best family website hosting. Masters in family and marriage counseling. Now playing, 1 hr, 21 min. Genre: Documentary In Mexico City's wealthiest neighborhoods, the Ochoa family runs a private ambulance. As they try to make a living in this... ( read more. First things first, and I dont find myself saying this too often about documentaries, but one of the best things about Luke Lorentzen Midnight Family is the amazingly beautiful camerawork. It will be screened in 4K which will make the viewing experience that much more enrapturing for future viewers. The way the film is shot makes you feel as though you are right in the thick of the action, of which there is quite a bit. Midnight Family centers on the Ochoa family, who are one of many families who (at least attempt to) make their living through for-profit ambulance services. In Mexico City, where the film takes place, there are only FORTY-FIVE government provided ambulances in a city with a population of 9 million people. For-profit ambulances came on the scene as a relief but also as a way for some people to make money off of vulnerable peoples misfortunes. “… the Ochoa family…makes their living through for-profit ambulance services. ” The Ochoas seem to be the exception to the rule in this cutthroat industry of for-profit EMT work. While some of the ambulance companies wont even pick up the injured til they agree to pay, the Ochoas first priority is transporting the patient, even though a vast percentage of the time, the patient or their family dont have the money or refuse to pay once the patient gets safely to the hospital. On top of the fact that the team uses police bribes of 300 pesos to get to the accident sites first, this corruption causes the Ochoas a good bit of financial stress. The Ochoas are an extremely likable group. We have Juan who does most of the talking throughout the film. Hes a 17-year-old with a big ego and loves to drive the ambulance super fast. When hes not telling the camera about his successes, he is on the phone with his girlfriend, Jessica. Then there is Manuel, who doesnt talk much on screen but is the one in the unfortunate position of having to ask patients for money after their ambulance rides. Then we have Fernando who is Juan and Josues father and the patriarch of the family and head of the business with Fernando. Lastly, we have the hilarious Josue, an eleven-year-old kid who would much rather spend nights on ambulance rides than days in school. There are several thrilling scenes where the Ochoas must rush through the horrendous Mexico City traffic to pick up patients. Fernando yells through a loudspeaker for taxis and cars to get out of the way. More than once, we witness the Ochoas dealing with the police, sometimes losing all the money they made in one night on paying bribes and staying out of jail. Its frustrating, considering that all the Ochoas and most other ambulance services are trying to save peoples lives, yet cash continues to be king, especially to corrupt police. “… its a very exciting, sad, yet extremely funny film…” Lorentzen befriended the Ochoas after moving to Mexico City and seeing Juan and Josue cleaning the ambulance outside of the hospital. He was a one-man crew, which is very impressive considering how well done Midnight Family is, but it also makes sense considering that the back of an ambulance is not all that big. Lorentzen did a great job about remaining objective enough to show us the corruption inside the Mexican government and the world of for-profit life-saving services. Yet he was subjective enough to successfully allow the audience to care for the Ochoas and hope that they can continue to thrive as a business and a family. I think its important that Lorentzen shows worldwide audiences the desperate situation with healthcare in Mexico with Midnight Family. Perhaps this will lead to charitable donations and reforms to improve the system. Even if it doesnt, its a very exciting, sad, yet extremely funny film. I cant wait for you all to see it. Midnight Family (2019) Written and Directed by Luke Lorentzen. Starring Juan Ochoa, Fernando Ochoa, Manuel Ochoa, Josue Ochoa. 8 out of 10 stars.
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